And to think, his music was almost forgotten. It wasn't until Mendelssohn almost single handedly revived his music nearly a hundred years after Bach's death. A surprising number of great composers that came after didn't even know of him, yet when they were exposed to his music suddenly started picking up select elements of his style.
He was one of the few composers Mozart admired. A stunning triumphant genius who's music has remained relevant and flexible from ancient instruments and playstyles through the digital age and all of this was nearly lost to the tides of fashion. Whenever you hear a Bach piece thank Felix.
Bach's friend Telemann is also relatively unknown today. He was extremely productive and there are lots of great pieces, I especially love some of his trumpet works. They are played on the radio occasionally.
Thanks for bringing up Telemann. I wouldn't say he's unknown today, but definitely not in the "pop" composer category the way Bach is. His music is definitely in the repertoire of most serious violinists while studying late Baroque.
Here's one I studied for a while when I was studying the instrument many years ago.
I was always torn between playing Baroque music in the modern style or in the contemporary style. I find incredible enjoyment in hearing the music on period instruments played in the style. The music's texture changes so much.
That's also true about other composers. Some composers we consider cornerstones of classical music today were, for a long time, completely neglected. Hardly anyone today probably realizes that before the 1930s, Antonio Vivaldi was not a household name at all; he was pretty much completely unknown outside the field of musicology.
Vivaldi had been popular in his day as a virtuoso violinist and a composer of operas, until his musical style became too unfashionable for Venice, and he faded into obscurity, and was buried in a pauper's grave. Grove's Dictionary of Music and Musicians of 1910 devotes a scant page to Vivaldi, and while it praises him as a technical innovator, also criticizes him as a style-over-substance showman ("Vivaldi in fact mistook the facility of an expert performer ... for the creative faculty, which he possessed but in a limited degree") and spends much of the article talking about how much better Bach was.
What's also interesting is that, aside from changing tastes, part of the reason was that a large portion of his works were simply considered lost. In 1926, a trove of manuscripts was discovered in an Italian monastery, and this coincided with a concerted effort of evangelism by a group of musicologists, composers and poets (including, interestingly, Ezra Pound, who coincidentally seems to have adopted Vivaldi and Italian fascism with equal passion) who reintroduced Vivaldi into the public and rehabilitated his reputation.
Of course, to the public — ie., people who are not hard-core music buffs — there are still a large number of composers who are completely unknown. For those who enjoy baroque music, I particularly recommend:
- Van Wassenaer: The six Concerti Armonici. A Dutch diplomat who dabbled in music on the side, but published his works pseudonymously; after his death his works were for a long time assumed to be by Pergolesi. The concerti are beautiful. https://www.youtube.com/watch?v=q8lzbFkrlUs
- Biber: The Mystery Sonatas, aka the Rosary Sonatas. For someone used to the jollier, frothier side of baroque music, these will seem fantastically bare and stark. One of the monumental masterpieces of the baroque era. I specifically recommend the performance by John Holloway et al: http://open.spotify.com/album/0BJib6o3KcAxlPqwoydZNO. YouTube link: https://www.youtube.com/watch?v=FU4Xa_sFXak
He was one of the few composers Mozart admired. A stunning triumphant genius who's music has remained relevant and flexible from ancient instruments and playstyles through the digital age and all of this was nearly lost to the tides of fashion. Whenever you hear a Bach piece thank Felix.