One thing about Andor is that Gilroy specifically encouraged the directors not to shoot a lot of coverage and focus instead on very intentional shot lists, which both sped up shooting (critical given the cost of the production, COVID requirements, and the Hollywood strikes) and resulted in a much more crafted look, though it required a lot of detailed up-front planning. It’s really quite striking how different that approach is from the usual way things are shot, edited, and cleaned these days.