I like the opening of this aricle. It almost mentioned all the interesting books about the folklore history of computing. All the books mentioned in this article are worth reading.
> Extant histories of the internet favor either heroic or deterministic narratives. On the determinist side, we have Paul Edwards’s The Closed World (1996), Fred Turner’s Democratic Surround (2013) and From Counterculture to Cyberculture (2006), John Markoff’s What the Dormouse Said (2006), and others that describe the internet as the result of collisions between large-scale Cold War policies or zeitgeists. With some variations, these narratives portray the digital revolution as born from the improbable marriage of countercultural hippie experiments and the military-industrial complex.
> On the heroic, individualist side, we have Steven Levy’s Hackers: Heroes of the Computer Revolution (1984), Katie Hafner and Matthew Lyon’s Where Wizards Stay Up Late (1996), Michael Hiltzik’s Dealers of Lightning (1999), Walter Isaacson’s Innovators (2014) and Steve Jobs (2011), Leslie Berlin’s Troublemakers (2017), and Adam Fischer’s Valley of Genius (2018), whose titles speak for themselves. Histories in this genre extoll the whimsical personalities and talents of digital entrepreneurs and inventors, of whom Jobs is the prime exemplar. Some do acknowledge the contingencies that facilitated the rise of these digital “geniuses.” But overall, they tend to represent Silicon Valley as a titanic battleground that proved the superior mettle of its winners. Both extremes are tempting in their clarity; both make for a gripping story. Occasionally—as in Liza Mundy’s Code Girls (2017) or Margot Shetterly’s Hidden Figures (2016)—a simultaneously individualist and Marxist approach unveils underappreciated digital counter-heroes.
> Extant histories of the internet favor either heroic or deterministic narratives. On the determinist side, we have Paul Edwards’s The Closed World (1996), Fred Turner’s Democratic Surround (2013) and From Counterculture to Cyberculture (2006), John Markoff’s What the Dormouse Said (2006), and others that describe the internet as the result of collisions between large-scale Cold War policies or zeitgeists. With some variations, these narratives portray the digital revolution as born from the improbable marriage of countercultural hippie experiments and the military-industrial complex.
> On the heroic, individualist side, we have Steven Levy’s Hackers: Heroes of the Computer Revolution (1984), Katie Hafner and Matthew Lyon’s Where Wizards Stay Up Late (1996), Michael Hiltzik’s Dealers of Lightning (1999), Walter Isaacson’s Innovators (2014) and Steve Jobs (2011), Leslie Berlin’s Troublemakers (2017), and Adam Fischer’s Valley of Genius (2018), whose titles speak for themselves. Histories in this genre extoll the whimsical personalities and talents of digital entrepreneurs and inventors, of whom Jobs is the prime exemplar. Some do acknowledge the contingencies that facilitated the rise of these digital “geniuses.” But overall, they tend to represent Silicon Valley as a titanic battleground that proved the superior mettle of its winners. Both extremes are tempting in their clarity; both make for a gripping story. Occasionally—as in Liza Mundy’s Code Girls (2017) or Margot Shetterly’s Hidden Figures (2016)—a simultaneously individualist and Marxist approach unveils underappreciated digital counter-heroes.